Next Club Meeting: October 17, 2026, at the Fountaindale Public Library in Bolingbrook from 11:00 am - 5:00 pm

The Animatrix Network is an anime & manga fan club located in the Southwest suburbs of Chicago, Illinois. We usually meet on the third Saturday of each month (except when holidays or conventions coincide). The meetings are free and open to the public. Join us for a day filled with anime.

This site provides news, reviews, commentaries, and previews of the world of anime and everything it inspires in today's pop culture, such as live-action films, comics, music, art, and other weird things to enjoy and contemplate.

Thursday, August 26, 2010

Remembering Satoshi Kon

[Source: aicn.com] Visionary anime director Satoshi Kon passed away on August 24 of pancreatic cancer.

Madhouse tentatively plans on concluding work on his final project, children's feature The Dreaming Machine


May 18 of this year, an unforgettable day.

My wife and I received the following prognosis from a cardiologist at the Musashino Red Cross Hospital:

"The pancreatic cancer is terminal and has metastasized to the bone. You have at most a half year left."

When I conveyed my concerns for Yume-Miru Kikai (Dreaming Machine) to Mr. Maruyama (MADHOUSE founder Masao Maruyama), he said, "It's fine. Don't worry, we'll do whatever it takes."

I cried.

I cried aloud.

With feelings of gratitude for all that is good in this world, I put down my pen.

Well, I'll be leaving now.

Satoshi Kon


 
Nina "Space Coyote" Matsumoto's tribute illustration





On Catsuka Player - MAD Paprika

from which the Satoshi Kon movie was adapted. It's not available in the US, but you can get a UK copy of the English translated Paprika novel Stone Bridge Press has posted preview pages of Satoshi Kon: The Illusionist - reviewed here

Wednesday, August 25, 2010

Doug Liman to Direct Adaptation of Japanese Sci-Fi Novel "All You Need is Kill" [Source: aicn.com]

It might actually by oldish news, but Variety reports/confirms that Bourne Identity's Doug Liman will be directing the Warner Bros. adaptation of Hiroshi Sakurazaka's Forever War compared sci-fi novel "All You Need Is Kill."
According to Variety, The studio's been developing "All You Need Is Kill" since April when it bought Dante Harper's adaptation. Producers are Erwin Stoff, Tom Lassally and Jason Hoffs with Hidemi Fukuhara exec producing.
An English translation of the novel is available in North America via anime/manga publisher Viz Media's Haikasoru sci-fi prose line. ("Haikasoru" being Philip K. Dick reference.)


When the alien Mimics invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally--the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death?

An excerpt of the novel can be read here.

Is Anime Expo 2011 the last one?

Controversy and Trouble for America's largest Anime Con
We are two months removed from Anime Expo 2010 and there are things that came out of this year's convention that might have a negative impact for next year. I kind of want to get it out of the way since it is still fresh in my mind and let you all know is Anime Expo 2011 the last Anime Expo ever?

Tuesday, August 24, 2010

Satoshi Kon has Passed Away


[Source: AICN.COM] The sad new is coming out of Studio Madhouse that anime director Satoshi Kon has passed away at age 47.

His work included
Perfect Blue - 1998
Millennium Actress - 2001
Tokyo Godfathers - 2003
Paranoia Agent - 2004
Paprika - 2006
And the Good Morning short for the Anime*Kuri 15 compendium.
He had been working on children's feature Dream Machine.

I remember when Satoshi Kon's pyscho-thriller Perfect Blue hit the US. The to be revered director's initial calling card was actually divisive. Many anime fans laughed at and rejected it. Didn't like its lost lead. Snickered at its depiction of proto-blogging. However, it wasn't long before Kon became one of the paramount names in anime being produced for older audiences. Anime might be a medium of artistic possibilities, but given its economics, more often than not, it turns out works for children and specialized audiences. A thinking artist like Satoshi Kon producing works as tricky as Kon's was truly special.

In the last decade, movies and video games have made deep incursions into territory that was once the domain of anime and animation in general. There were images that were tremendously difficult to realize in live action and impossible in games, but available to animation. CG and improved game hardware have flipped the script. As a consequence, whole genres of anime have lost their importance. Who wants to sit back and watch elves and dragons fantasy anime, when games often offer a comparable visual experience, while allowing a player to participate.

Yet, an area in which anime/animation can still assert an advantage is narratives in which the fantastic is blurred with the objective. Leveraging animation's ability for a director to erase boundaries and exercise nuanced control of the entire image, Kon is the master at this. There's the world as it theoretically is. Then, there is the world as it is reflected in media. Then, the world as it is interpreted by the human mind... subdivisible into conscious and subconscious, rational and irrational. In Kon's anime, these distinctions all collapse in on each other.

Often starting with the foundation of a live action associated genre, whether it is Hitchcockian thriller (Perfect Blue), a Christmas story (Tokyo Godfathers) or life in retrospect drama (Millennium Actress), Kon convolutes it with the mind's paradoxes, contradictions and chambers of mirrors. His subjects project their interpretations out onto the world, at times seeing themselves as fantastic beings, dancing through the air or skipping through a city's neon signage. And yet, those interpretations are shaped by pressure from those around as well as a saturation of media influence. Rather than mechanistic stories, Kon's are shaped into knotted feedback loops.

As a fan of anime and animation in general, this lose is deeply felt. Beyond technical considerations, business concerns makes anime a difficult medium to work in. Creators able to produce works like Kon's have been and will continue to be rare. You probably will not see many replicating works like Kon's. Anime had its boom and contraction of the 00's, but I'd argue that it turned out to be great decade for works for adults, in large part thanks to the unforgettable contribution of Satoshi Kon.

Monday, August 23, 2010

Hayao Miyazaki Talks Futures... and This Time, Retirement Isn't on the Tip of His Tongue [Source: aicn.com]

Nausicaa.net has translated highlights from Cut magazine's extensive interview with widely hailed animated film director Hayao Miyazaki. As plans now stand, retirement doesn't seemed to be in the card for the 69 year old director of Oscar winning Spirited Away, Ponyo, My Neighbor Totoro and Ponyo.


Miyazaki aims to develop two films over the next three years (as in preparing a project proposal paper, forming the staff, and writing a script). Rookie directors may helm the film productions.
On one hand, Miyazaki has some thoughts for what he'd like to do if his home base at Studio Ghibli flourishes with its next slate of films. A "Last Sortie" follow up to 1992's Porco Rosso is on his mind. That more adult mind animated movie followed a once World War I fighter face living as a pig faced bounty hunter on the Adriatic Sea.

"I'm not thinking about a movie of a girl."
"I think that I must think about only a movie of a boy."
"I do not need to make a movie if it is not a tragic story of a boy."
"So I want to escape to "Porco Rosso: The Last Sortie". I have all its materials."
"It should be interesting."
"It is set for Spanish Civil War."

"If next two films succeed and [studio president Toshio] Suzuki-san lets me make it (Porco) while saying, 'It cannot be helped because it's a hobby of the old man', I'm happy. It's my hobby."

On the other hand, if the studio fairs poorly, he and Suzuki have developed a "dissolution program for Ghibli."
"For example, Ghibli should be able to continue with about five staff members as a copyright management company even if we smash the studio. So, Ghibli can say 'We stop film production. Goodbye'. I do not have to be there."

Saturday, August 21, 2010

ASP - ME


A little eerie gothic tale about love, fear and death. More about ASP and their projects: www.TheTalesOfASP.com

Cast:
Igor Riffen (Asp)
Mona de Lecontele (Nona)
Iwan Spanasskow (Schwarzer Schmetterling)

written by ASP
line producer & story consult: Matthias Ambre
film editing, wardrobe & digital matte painting: Jack Moik
puppet fabrication & stop-motion animation: Juergen Kling
puppet fabrication assistant: Susie Jones
compositing & miniature props: Mark Dauth
character design & concept art: Ingo Roemling
3D-modelling: Viktor Klassen & Sebastian Schminke
wardrobe assistance: Christiane Roemer
additional design: Miriam Wagner
color grading; Frank Vogt
directed by & cgi: Thomas Klieber

Thursday, August 19, 2010

Sym-Bionic Titan Promo Clip

A short clip from the upcoming Cartoon Network animated series, "Sym-Bionic Titan," created by Genndy Tartakovsky (Dexter's Laboratory, Samurai Jack). Coming soon to Cartoon Network!

Wednesday, August 18, 2010

Wizard World Chicago Comic-Con 2010

AUGUST 19-20-21-22 THUR-FRI-SAT-SUN
at Donald E. Stephens Convention Center, Des Plaines, IL  

Join tens of thousands of fans as they converge at Chicago Comic-Con 2010 Wizard World Convention to celebrate the best in pop culture. Chicago Comic-Con brings it all - Movies, Comics, Toys, Video Gaming, Games, TV, Anime, Manga, Horror, Wrestling, MMA, Original Art, Collectibles & More! Chicago Comic Con is brought to you by the group who produces the most widely attended Comic-Con tour!

Tuesday, August 17, 2010

A pair from Italy took the grand prize for costume role-players at an annual world championship in Nagoya on Sunday, beating contenders from 14 other countries. The contest marked the climax of the World Cosplay Summit 2010, a signature summer event in the city which various entities including the Foreign Ministry jointly organized to enhance exchanges featuring characters in Japan-originated animated films, manga comics and games. The winning pair, dressed as Link and Ganondorf, characters in a game titled "The Legend of Zelda: Twilight Princess," performed an action-filled three-minute play on stage in front of an audience of about 15,000. 

Sunday, August 15, 2010

‘Legend of Korra’: The ‘Avatar’ Creators on the New Spinoff


[Source: Speakeasy] The creators of “Avatar: The Last Airbender” say that the new spinoff series “The Legend of Korra” will be more mature than the original show, but will still have the same sense of fun and adventure.

Nickelodeon, the network behind the original show, today announced that it will air the “Avatar” spinoff series “The Legend of Korra” (a working title) starting next year.

The first series took place in a world in which supernatural “benders” have the ability to manipulate the elements of air, earth, fire and water, and focused on Aang, a young airbender who turned out to be the Avatar, a person capable of controlling all the elements. The new series takes place 70 years later in the same world and follows the new Avatar, a teen girl named Korra who has learned to bend earth, water and fire and seeks to master air under the tutelage of Aang’s son, Tenzin.

Earlier this summer, director M. Night Shyamalan released a live-action theatrical version of the first series called “The Last Airbender” that was poorly received by critics, although it posted respectable numbers in early box office returns.

Michael DiMartino and Bryan Konietzko, the creators of “Avatar: The Last Airbender” and “The Legend of Korra” took the time to talk to Speakeasy today about the new series.

The Wall Street Journal: How did you come up with the idea for the spinoff?

Bryan Konietzko: When Mike and I first created “Avatar: The Last Airbender” we always knew it would have an ending to it, that particular story. But as the show really took off, and found an audience all over the world, we knew that despite our intentions of ending that story there would probably be a time when Nickelodeon would come calling and want some more episodes….When that time came we had this idea for jumping ahead and telling a story about the next Avatar, this girl Korra.

If there’s a new Avatar, that means Aang has passed on. If he died around age 70, isn’t that pretty young for an Avatar?

Konietzko: You gotta keep in mind that he was frozen in a state of suspended animation for 100 years, so he kind of burned up some of his extra Avatar time.

The new “Avatar” is a woman. What inspired you to change the sex of the protagonist of the series?

Michael DiMartino: It’s not so much about changing because we had Avatar Kyoshi before Aang. We’d established that the Avatar can be male or female and we just thought let’s explore one of those more in depth, because Kyoshi was a popular character with a lot of fans and it seemed like a great opportunity to not retread what we’d done with Aang, who was a great hero, we all loved him, but we really wanted to try something different. And we have so many great female fans out there, who really responded to Katara in the first series, we thought we have the fan base who are really going to enjoy seeing the Avatar be a female.
Konietzko: Mike and I, we love those characters too, and we’ve encountered countless fans who are male who really like those characters too. We just don’t subscribe to the conventional wisdom that you can’t have an action series led by a female character. It’s kinda nonsense to us.

The one image that you released is Korra looking out on Republic City, where a lot of the new show take place. Tell me about that city.

Konietzko: That’s kind of a piece of concept art so when the show premieres next year it won’t look exactly like that but that’s the direction we’re headed. The first series was sort of a road show where every episode they were going to some new location. That was another new thing we wanted to do is root it in one big complex location but mainly one place. We were drawing inspiration from Shanghai in the 1920s and 30s and Hong Kong and even Western cities like Manhattan and even location-wise cities like Vancouver, a city that juts out on a peninsula or an island and has these big mountains around it.

Will we see characters from the previous series pop up?

DiMartino: I don’t want to give anything away, but rest assured there’s a definite link between the old series and this one.

Republic City is a city plagued by crime. There’s an anti-bender revolt. Does this new series deal with more mature themes?

Konietzko: Mike and I like a balance of tones. We never set out to make an overtly silly show or an overly serious dramatic show. We like dealing with all those things. It’s fair to say we’re dealing with some sophisticated things and the show is growing up a bit. But that said, we’re not in a calculated way trying to target another demographic. Even in the first series, it was about a world war and some pretty serious issues.

If Tenzin is Aang’s son, who is his mother?

DiMartino: [To Konietzko] We can say that, right? [To Speakeasy] It’s Katara. It’s not a huge surprise.

What did you guys think of the live-action version of “The Last Airbender”?

Konietzko: We’re just really focused on this new show right now, and kind of taking this off in its own direction and not concerning ourselves with that right now.

So you didn’t follow the casting controversy about the movie version of “The Last Airbender”?

Konietzko: We didn’t head up that film. We’re just happy to be back generating the original content in this mythology, which is what we do.

Would you like to bring a cartoon version of “Avatar: The Last Airbender” to the big screen?

Konietzko: We would love to. I think Mike and I would absolutely love to do feature animation. Either another story, or it if worked out, one in the “Avatar” world. We would be really excited.

Friday, August 13, 2010

 Viewing Schedule for  Saturday, August 14, 2010
Here are the titles we will be showing at this weekend's club meeting:

Noon- 12:25    Kiddy Girl-and (episode 4)
Twenty-five years after Éclair and Lumière, (from the flagship Kiddy Grade series), rescued the galaxy from destruction's doorstep, the GTO (Galactic Trade Organization), created after the defeat of the GOTT (Galactic Organization of Trade and Tariffs), act on behalf of universal peace by combating criminal activity. Their special ES division mirrored after the GOTT's ES (Encounter of Shadow-work) force, now includes publicly acknowledged ES member candidates. The series follows three such trainees, Ascoeur, Q-feuille, and Di-air as they work their way to ES membership.
 
12:25 -12:50    Senkou no Night Raid 4
Fuu Lan requests Aoi and Kazura to have some pictures taken of her restaurant’s food so that her menu can compete with a rival Japanese restaurant’s realistic replicas. Aoi agrees to do it so he can get a free baozi while Kazura reluctantly complies since they are both professionals. However, after the photo shoot, a cat takes the bag containing the film of Fuu Lan's menu as well as the film containing a summer vacation photo of a Japanese lieutenant. Aoi and Kazura are forced to investigate the Green Gang to recover the film, but learn afterwards that the cat took the bag due to the smell of the baozi.

12:50 - 1:40  Shiki 1-2
During a hot summer in a quiet town named Sotoba, bizarre deaths of the elderly in an isolated part of town surprises hospital dean Toshio Ozaki and his best friend, Seishin Muroi, a local priest who discovered the bodies. While the investigation is underway, a moving company arrives in the dead of night with the Kirishiki family, who will be occupying a long abandoned castle in Sotoba. Megumi Shimizu, a high school girl who is friends with Kaori Tanaka, constantly fails to befriend Natsuno Yuki, a boy who hates living in the town and wishes for city life. She often has a bad habit of stalking Natsuno around his house at night, though he is aware of her activities. One day, Megumi heads up the hill to the castle and meets the Kirishiki family, then disappears afterwards. Upon learning of her disappearance, most of the townspeople head out to look for Megumi, only to discover her lying catatonic in the woods. Toshio examines Megumi and only finds her to be suffering a case of anemia from insect bites, but nothing serious. However, Megumi passes away a few days later, to the shock of her family and friends. 

1:40 - 2:25    Isekai no Seikishi Monogatari 5
Kenshi Masaki is a 15 year old boy that unwillingly traveled from his homeland on Earth to the alternate world of Geminar. In Geminar, the countries usually wage wars against each other by using the Seikijin, humanoid weapons that were originally discovered within ancient ruins. After being deceived by a mysterious organization to participate in an attempt to assassinate Lashara Aasu XXVIII, the young princess of the Streya Empire, he ends up captured after he relucts to kill her when he had the chance. After Lashara and her servants figure about his situation, they decide to give him aid. Disguised as Lashara's servant, Kenshi moves with her to the Holy Land, a virtually impregnable fortress that serves as an academy to train Seikijin pilots selected from around the world. With his kindness, tenacity, and being gifted in a wide range of skills that vary from cooking and cleaning to advanced techniques of survival and combat, Kenshi eventually becomes a celebrity in the academy, becoming the object of affection of many female students and making some of the male students envious of him. However, the same organization who deceived Kenshi is secretly working behind the shadows inside the academy, and a widescale conflict which will engulf the entire world of Geminar is about to begin.
 
2:25 - 3:15    Angel Beats 9-10
Angel Beats! takes place at a high school in the afterlife in a Purgatory between Heaven and Earth where students learn to give up any lingering attachments they still have from life before finally going to Heaven. While the injuries or cause of death is gone, those in the afterlife school can still feel pain or other things as they did when they were alive, as well as dying again, only to awaken with no injures several minutes later. The story follows the main protagonist Otonashi, a boy who lost his memories of his life after dying. Upon awakening in the afterlife, he meets a girl named Yuri who invites him to join the Shinda Sekai Sensen (SSS) (死んだ世界戦線?, lit. Afterlife War Front), an organization she founded and leads which fights against God for the cruel fates the SSS members experienced in life. Their only enemy in the world is the school's student council president Angel, a being with supernatural powers who is in charge of keeping the status quo and fights against the SSS. Yuri believes that anyone who follows Angel's orders and behaves like a normal student at the school will eventually disappear and pass on to Heaven. However, those who fulfill their dreams in the afterlife will pass on as well. In the SSS, there are two sub-divisions which help in the SSS's operations against Angel. The first is a four-girl band named Girls Dead Monster whose objective in the SSS is to cause a diversion from other activities the SSS is engaged in, while on the surface appearing to be a normal all female band. This includes distracting Angel and a large number of "normal" students and teachers at the school Yuri deems "non-player characters" as they are not human, but look and act the part. Another organization in the SSS is the Guild, located far below the surface of the afterlife world, which serves to supply the weapons the SSS uses against Angel. Anyone in the afterlife is able to create anything out of dirt that they had memories of in life, and the Guild uses this ability to mass produce weapons. Angel uses a similar ability to create her supernatural powers.

3:15 - 3:30    Short break -  "Where's Mike?"  ^^


3:30 - 4:15    Hatenkou Yuugi 1-2
File:Dazzle.jpgA young girl named Rahzel is abruptly sent off to see the world by her eccentric, doting father. She is alone on her travels until she meets Alzeid, a attractive, mysterious loner on a mission to avenge his father's murder. After aiding Alzeid in retrieving his stolen gun from a thief, Rahzel decides to follow Alzeid promising that she would make his "lousy and boring" life "more intersting and fun!" Alzeid grudgingly acknowledges that Rahzel will be traveling with him from now on. Soon after, a womanizing (read: pervert) acquaintence of Alzeid's named Baroqueheat joins in their adventure.

4:15 - 5:05    Omamori Himari 3-4
200Seven years ago, Yuto Amakawa's parents died in a car accident, leaving him alone without a single relative. Ever since then, his childhood friend Rinko Kuzaki has woken him up, cooked for him, and generally takes care of him. The only thing he has from any relative is a mysterious amulet given to him by his grandparents (an omamori). On his 16th birthday, the amulet he wore has lost its effectiveness and Himari—a cat spirit samurai girl—suddenly appears in his life as his bodyguard. There is only one small problem: Yuto has an allergic reaction to cats!


5:05 - 5:55    Katanagatari 5
Katanagatari centers on Shichika Yasuri, the seventh head of the Kyotō-ryū (虚刀流, literally "swordless style") of Japanese sword martial arts. One day, a girl named Togame arrives on the island where Shichika and his older sister Nanami live with a favor to ask of him. Togame tells Shichika that she is on a mission to find and collect the final twelve swords forged by a master swordsmith by the name of Kiki Shikizaki, and that she needs his help. They both then leave the island together to seek out the swords.


 

5:55 - 6:45    Bakemonogatari 14-15 (end)     
Bakemonogatari centers on Koyomi Araragi, a third year high school student who is almost human again after briefly becoming a vampire. One day, a classmate named Hitagi Senjōgahara, who infamously never talks to anyone, falls down the stairs into Koyomi's arms. He discovers that Hitagi weighs next to nothing, in defiance of physics. Despite being threatened by her to keep away, Koyomi offers his help, and introduces her to Meme Oshino, a strange middle-aged man living in an abandoned building, who cured him of being a vampire. The series tends to introduce only one new heroine per chapter, each involved with a different "apparition". Most of them have an item which symbolises their spectres, such as Hitagi's stapler - the claw of a crab, Mayoi's back pack - the shell of a snail, Suruga's leggings - SARUMATA (猿股, the Japanese traditional underclothing. 'SARU' means monkey), and Nadeko's big hat and baggy jacket - the head and skin of a snake. The events of the previous chapters play an important role in the subsequent ones. The series primarily focuses on conversations between characters; it contains a fair number of parodies of other series, as well as Nisio Isin's trademark word play and metahumor.

6:45 - 8:00    Kuroshitsuji II 1-3 

In late-nineteenth century England, one year and three months after the dramatic conclusion of the original series, Kuroshitsuji II introduces a new butler and young master. The sadistic yet cheerful Alois Trancy has faced some harsh times. He was kidnapped as a baby, and was forced to work in a village as a slave. Gradually, he lost his parents, his best friend, and everyone he knew. Alois eventually returned home and became the head of his mansion, but seemed to exhibit some strange behavior ever since. Even more curiously, he returned with Claude Faustus, an enigmatic, emotionless butler with unfathomable talent...

Tuesday, August 10, 2010

Children of DAICON

The opening animation for DAICON led to the formation of GAINAX, one of the leading anime studios of Japan. Featured in this anime music video are samples of some of their greatest works. See if you can name them all.

Monday, August 9, 2010

New Century Girl [Evangelion] Music Video

The images are from an official personal computer game. The song is by Masayoshi Yamazaki who is a popular singer in Japan.

Sunday, August 8, 2010

FUNimation to unleash Evangelion 2.0 movie in 2011

FUNimation also announced that it has acquired the home entertainment, broadcast, digital and merchandise rights to the animated sci-fi action film EVANGELION: 2.0 YOU CAN (NOT) ADVANCE from NTV. 

EVANGELION: 2.0 YOU CAN (NOT) ADVANCE is the second of four films by Hideaki Anno and Studio Khara based on the 1990’s Gainax “Neon Genesis Evangelion” anime series, a long-running anime about teenagers defending the world from machines and mass destruction.

 The film is produced by Toshimichi Otsuki and directed by Hideaki Anno, Masayuki, and Kazuya Tsurumaki from the screenplay written by Anno. The mechanical designer is Ikuto Yamashita.  

The setting is Tokyo 3, an outpost in a future world devastated by the "Second Impact." Attacked by shape-shifting mecha-behemoths known as “Angels”, what's left of Earth is defended by giant "Eva" robots piloted by high school students. Selected for duty by NERV, a top-secret military organization, the children are linked to their Evas by a design feature that channels the spirits of deceased family members into the machine's circuitry. The lead pilot is Shinji (voiced by Ogata), the troubled son of emotionally distant NERV scientist Gendou Ikari. Rebelling against his predestined path, Shinji is brought back into the fold by teacher-mother figure Misato Katsuragi (Mitsuishi) and fellow pilot Rei (Hayashibara).  

FUNimation Entertainment will release the film on DVD and Blu-ray in 2011.

Saturday, August 7, 2010

FUNimation launches SUMMER WARS

FUNimation Entertainment announced that it has acquired the home entertainment, theatrical, broadcast and merchandise rights to the animated sci-fi action film SUMMER WARS from NTV. 

Released in August 2009 in Japan by Warner Brothers, SUMMER WARS is produced by Madhouse and directed by Mamoru Hosoda. SUMMER WARS is the second full-length film that Hosoda has made as a freelance director. The first, THE GIRL WHO LEAPT THROUGH TIME, an animated movie in which the teenage heroine discovers that she can travel to the past, received rave reviews from critics and audiences worldwide.  

SUMMER WARS reunites many who worked on that film, including scriptwriter Satoko Okudera and character designer Yoshiyuki Sadamoto.  

The SUMMER WARS story begins with Kenji, a timid math prodigy who seems better suited for virtual worlds than his more intimidating high school. When class cutie Natsuki asks Kenji to accompany her on a family trip to celebrate her great-grandmother’s 90th birthday, he instantly agrees, not realizing she intends to present him to her family as her fiance - a ruse that forces Kenji, who hides behind an avatar online, to role-play in the real world as well.  

The plot thickens after Kenji solves a math riddle that inadvertently brings a worldwide social networking site to its knees and throws the real world into confusion. Suddenly, this large family in rural Japan must work together to stave off a world crisis.  

FUNimation Entertainment will release the film theatrically in 2010 and on DVD and Blu-ray in 2011. 

Friday, August 6, 2010

Spike Spencer To Voice Character Takuma Ichijo in Vampire Knight

LOS ANGELES, CA - July 29 - It has been announced that Spike Spencer will be voicing the character Takuma Ichijo from the popular Anime series Vampire Knight

For those unfamiliar with the storyline of the popular graphic novel, Vampire Knight takes place at Cross Academy, which is attended by two groups of students: the Day Class and the Night Class. At twilight, when the students of the Day Class return to their dorm, they cross paths with the Night Class on their way to school. Yuki Cross and Zero Kiryu are the Guardians of the school, protecting the Day Class from the Academy's dark secret: the Night Class is full of vampires!

Takuma is the vice-president of the Night Class, he is a noble-class vampire who is almost as powerful as Kaname, whom he is close to and respects, and can be seen reading a manga from time to time. Takuma maintains a close friendship with Senri Shiki, whose great grand-uncle is also a member of the council.

His grandfather asks him to spy on Kaname, but he refuses out of loyalty and attempts to break free of his grandfather's mold. Takuma attempts to protect the possessed Shiki Senri, forced to go against Kaname in order to protect all his friends. Following Shiki's freedom from Rido's possession, Takuma has rejoined Kaname's side, where he appears in time to stop Kaname from killing his grandfather and instead insists on being allowed to handle the issue. It is strongly hinted at that Takuma intends to end his life along with his grandfather, saying "Together, let us put an end to the Ichijo line." But it is revealed that he never got his wish, as he was discovered unconscious afterward by Sara Shirabuki, one of the only known Pureblood vampires, who said that she always wanted "to have" Takuma, as though he were simply a doll or a toy. He is currently in the hands of Sara Shirabuki, who is torturing him to extract information about Kaname. After the one year time-skip, he seems to be living with her and quite healthy.

"Vampire Knight is an important series that demanded skilled actors who could portray these complex characters without sacrificing any of the intensity and emotional drama each one exudes," says William Germain, Director, Programming & Music Sales, VIZ Media. "We also know there are a lot of fans of the manga that have been waiting for this series so we wanted to bring in some very talented people who we know will take Vampire Knight to a whole new level. Look for more news coming soon about the North American debut!"

ABOUT SPIKE SPENCER:   
An accomplished actor, Spike Spencer has worked onscreen with such notable stars as Tommy Lee Jones, Sandra Bullock, Frank Langella, Tia Carrere, and Scott Glenn.

In the realm of voice acting he has voiced hundreds of episodes of Anime including Evangelion, Spriggan, Nadesico, Mar, Pre Tear, Code Geass 2, Buso Renkin  and Bleach as well as numerous video games including World of Warcraft-The Burning Crusades, Tales of Vesperia, Trauma Center, Steambot Chronicles, and Star Ocean 2. Spike has lent his voice to many radio and television commercials and campaigns.

Spike is also an author/screenwriter and is in pre-production on his first feature film that he scripted, "Dwindle Down." Learn more about Spike at:
www.worldospike.com
www.spikespencer.com
www.almostevilminions.com
www.twitter.com/spikespencer

Wednesday, August 4, 2010

Masamune Shirow's ORION to become a 3D anime

"ORION" 
2min 30sec / Stereoscopic 3D Animation / 2010

Based on the original manga by Shirow Masamune, Japan's top creator has challenged himself to turn traditional Japanese hand-drawn animation into 3D. 
The mighty Yamata Empire attempts to create a nine-headed Naga dragon to consume all the negative karma in the galaxy. 

Will this be the salvation of humanity or trigger its ultimate destruction?

Susano, God of Destruction, is summoned to stop this event and save the empire from its hubris... 
 
An L4C production based on the manga "ORION" by Shirow Masamune
( publisher:SEISHINSHA )
DirectorYasuhiro Aoki
Stereoscopic Technical DirectorMasahito Enokido
Art DirectorMarefumi Niibayashi
CGI SupervisorsKimihito Kubo、Yusuke Takase
Composer/Sound EffectsMasaaki Enatsu
©2010 Lucent Pictures Entertainment, Inc.
Original manga copyright:© Shirow Masamune/SEISHINSHA

Tuesday, August 3, 2010

Transformers star Megan Fox disses Bay, wears a Voltron T-shirt

Will we ever know the truth about the feud between Megan Fox and Michael Bay over the Transformers franchise? Maybe she was fired. Maybe she quit. We may never know what actually happened. But one thing we do know is that Fox was recently seen in public sporting a T-shirt promoting a different robot franchise.

Well played, Megan. Well played. (via geektyrant)